An album’s credits can speak volumes, not just about who plays on a record but how the weight of creation is divided across artists. On … Read More “Paul Bley/Gary Peacock/Paul Motian: When Will the Blues Leave (ECM)”
Paul Bley’s 1973 album, Open, to Love, set a precedent as both a document of the pianist’s skill in the solo setting and for the … Read More “Paul Bley: Play Blue: Oslo Concert”
Join JazzTimes to read this full article
Become a member for as low as $4.99/month and you'll get unlimited access to our website, learning guides and more!
Already a member? Sign in
