Jared Gold: JG3+3 Since Jimmy Smith emerged in the ’50s, the organ has been the most overtly erotic jazz instrument. Nothing can get people shaking their asses like a Hammond B-3. Jared Gold understands this cultural history. He teases out Cannonball Adderley’s “Sermonette” with insinuating carnality. Brother Jack McDuff and Jimmy McGriff would approve of this groove. Gold … Read More “Jared Gold: JG3+3” To access this content, you must purchase JazzTimes Membership.