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There’s a wonderful scene in the 1954 version of A Star Is Born where matinee idol Norman Maine (James Mason) bolsters the courage of band singer Esther Blodgett (Judy Garland) as she prepares for a screen test. “Forget the camera,” he says, “it’s the Downbeat Club at 3 o’clock in the morning and you’re singing … Read More "Hilary Gardner & Ehud Asherie: The Late Set (Anzic)"
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Hilary Gardner & Ehud Asherie: The Late Set (Anzic)

There’s a wonderful scene in the 1954 version of A Star Is Born where matinee idol Norman Maine (James Mason) bolsters the courage of band singer Esther Blodgett (Judy Garland) as she prepares for a screen test. “Forget the camera,” he says, “it’s the Downbeat Club at 3 o’clock in the morning and you’re singing … Read More “Hilary Gardner & Ehud Asherie: The Late Set (Anzic)”

To access this content, you must purchase JazzTimes Membership.

Ehud Asherie: Organic

After three releases on Posi-Tone leading small combos from the piano, 31-year-old Israeli native Ehud Asherie switches over to Hammond organ for his latest quartet outing, Organic. Fats Waller and Count Basie come readily to mind as jazz immortals who doubled on the two instruments. While their piano styles were more individualized than Asherie’s at … Read More “Ehud Asherie: Organic”

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Ehud Asherie: Welcome to New York

On Welcome to New York, his first-ever solo-piano collection, Asherie’s mastery of various masters’ styles, from Waller and Tatum and Dave McKenna on down, puts him in the elite group of heritage pianists who rode in on the wave of Wynton Marsalis traditionalism. The 13-tune playlist here is resourcefully thematic, not necessarily extolling New York … Read More “Ehud Asherie: Welcome to New York”

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