In this engaging and important biography, Robin D.G. Kelley debunks several myths about Thelonious Monk, around whom there has always been plenty of mystery and misinformation. There are way too many untruths to list here. But consider these: Monk was an eccentric hermit who was out of touch with the real world; Monk was a primitive genius who had little knowledge or affection for serious music; Monk danced onstage because he was crazy; Monk was irresponsible and never on time for gigs.
Kelley deals with each of these misconceptions, or in some cases exaggerations, in the course of the narrative, but does not get bogged down with score-settling or revisionism. (Myth debunking only goes so far.) What matters most is that Kelley has fashioned a riveting life story out of his extensive research and interviews. Given unprecedented access to Monk’s immediate and extended family and their personal archives of documents, recordings and photos, Kelley tells the story of the man first and the music second, although in the case of a musical giant like Monk, it’s extremely hard to separate the two. Perhaps more important than learning what isn’t true about Monk, we learn plenty about the pianist-composer that is true: that he craved commercial success and desperately wanted a hit song; that he was devoted, both personally and professionally, to the masters of stride piano, like James P. Johnson and Willie “The Lion” Smith; that he was deeply connected to his family and community; that he was politically aware and active; that he very much resented how his name was often excluded when credit was passed around for birthing bebop; that his wife Nellie and longtime friend and patron Nica de Koenigswarter were very close friends and cooperated in his care.