Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Tony Malaby: Novela

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

Novela is an ideal title for an album with so much narrative appeal. All sorts of stories are told through the music on this unusual retrospective, which consists of songs written by saxophonist Tony Malaby for trios and quartets over the past decade and newly arranged for nonet by pianist Kris Davis. With its richly developed themes and wide stylistic reach, this is an album to curl up with.

Like the weather in Chicago (whose schools of free jazz provide their share of edgy inspiration), the temperature of Novela can change in a flash. The warm crosscurrents of “Mother’s Love” give way to chilly swells and agitated lines from Joachim Badenhorst’s bass clarinet, and then to a haunted symphonic closing. “Floating Head,” a work of both interchangeable parts and independent gears keyed to Dan Peck’s animated time-marking tuba, shifts from Greek tragedy to circus music to West Side Story. “Warblepeck” is Kurt Weill filtered through Henry Threadgill’s Very Very Circus.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published