Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Tom Cohen: My Take (Versa)

A review of the drummer's album featuring tracks by Benny Golson, Sonny Stitt, Gigi Gryce, and Wayne Shorter

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Tom Cohen: My Take
The cover of My Take by Tom Cohen

Tom Cohen is always good for a richly descriptive album title. From the same guy who named his first leader album Diggin’ In – Digging Out and filled it with deeply grooving and adventurously rhythmic versions of Monk and Bird song comes 2021’s My Take, which, in my mind, either points to the manner in which he’s covering the waterfront of tracks penned by Benny Golson, Sonny Stitt, Gigi Gryce, and Wayne Shorter or refers to something slightly more nefarious: a cut of the action, Cohen’s piece of the pie. Either way, it works. For on My Take, the inventive Philadelphia-based drummer reappropriates his hometown’s organ-jazz trio tradition and takes it to another level—with considerable help from B-3 totems Joey DeFrancesco and Dave Posmontier, and saxophone titans Ralph Bowen and Tim Warfield.

Cohen’s youthful studies with Tony Williams shine through in every pump and paradiddle right from the start of My Take: the vibrant heavy swing of Gryce’s “Minority.” His rough-edged playing pushes DeFrancesco and Warfield to light up and flame; anyone familiar with Deep Purple’s “Hush” will appreciate the power-trio vibe both here and on Vincent Youmans’ hyper-R&B-ish “Without a Song.” Wayne Shorter’s “Lost” doesn’t have the same punk projection as DeFrancesco’s other cuts on the album but manages a level of passionate theatricality (Bowen is a big dramatic aid here) that’s heightened by Cohen’s tricky rhythmic interplay. If this wasn’t recorded in one fast take, I would be surprised, as “Lost” feels intuitive. Posmonteir and guitarist Steve Giordano join Cohen on “Along Came Betty,” written by Golson for Art Blakey in 1954. Originally prime postbop, in this trio’s mitts it toys with finicky funk.

Cohen and his crews don’t record often. Here’s hoping My Take is the start of many takes.

Learn more about My Take on Amazon & Apple Music!

Tom Cohen: Six Trios, One Record