Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

SOS: Looking for the Next One

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

SOS (named for each player’s initials) was more than a “saxophone trio.” Tenor and soprano saxophonist Alan Skidmore often sat down behind the trap kit. John Surman, in addition to his artillery of reeds, employed an EMS synthesizer and electric piano. Only the late Mike Osbourne limited himself to his alto. SOS only existed for three years (1973-1976) and released one album. Looking for the Next One comprises two discs of unreleased studio and live performances that combine traditional musical themes with technological innovations (for the time, at least) and an approach to blowing indicative of the post-Coltrane years.

Surman often used his synthesizer to create loops of tone rows or drones that filled out the sound. His work gives the music an interstellar, if somewhat dated feel. On disc one, the title track begins this way and evolves into a rubato piano part with a swirling tenor solo by Skidmore. “Country Dance” offers a modal take on a folk melody. Two tracks feature drummer Tony Levin sitting in, adding a New Orleans second-line groove to the otherwise Ayler-esque theme of “The Mountain Road.”

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published