Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Sons of Kemet: Black to the Future (Impulse!)

A review of the group's fourth album

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Sons of Kemet: Black to the Future
The cover of Black to the Future by Sons of Kemet.

You likely listen to a lot of good new music over the course of a year, but how much of it would you characterize as truly exciting, so genuinely innovative that you can honestly say you’ve heard nothing like it? England’s Sons of Kemet, now celebrating a decade together, fit that bill, and Black to the Future is their most noteworthy work to date. At their core a quartet led by tenor saxophonist/woodwinds player Shabaka Hutchings, and presently filled out by tuba player Theon Cross and a pair of drummers, Tom Skinner and Edward Wakili-Hick (replacing Seb Rochford), Sons of Kemet take an open-ended approach to creativity. Churning African- and Caribbean-inspired rhythms cross-pollinate with a jazz-rooted yearning to investigate; a tinge of psychedelic wanderlust pushes the music into unanticipated places; hip-hop informs the guest vocals that bring an added measure of intensity to it all.

Black to the Future, the band’s fourth full-length album, expands on sonic concepts that first surfaced on 2018’s extraordinary Your Queen Is a Reptile. There’s more urgency to these 11 tracks, a tense sense of an impending but undefined something—and this was recorded before some of the soul-crushing events of 2020. “Hustle” features music and arrangements by Hutchings, with lyrics from Kojey Radical and Lianne La Havas, who also provide the vocals. “Born from the mud with the hustle inside me,” they repeat what seems like countless times over a thumping beat that recalls the more fiery, experimental side of early dancehall and dub.

The feverish instrumental pieces are just as captivating: The springy interplay between Hutchings and Cross on tracks like “In Remembrance of Those Fallen” and “Throughout the Madness, Stay Strong” is fed and fortified by the relentlessly blazing percussion, producing a set of dense jams whose sweat factor is matched by the participants’ ingenuity and an irrefutable veneer of consequence embedded in the tracks.

Learn more about Black to the Future on Amazon!


Shabaka Hutchings Wants a Revolution

Jeff Tamarkin

Jeff Tamarkin on social media

Jeff Tamarkin is the former editor of Goldmine, CMJ, Relix, and Global Rhythm. As a writer he has contributed to the New York Daily News, JazzTimes, Boston Phoenix, Harp, Mojo, Newsday, Billboard, and many other publications. He is the author of the book Got a Revolution: The Turbulent Flight of Jefferson Airplane and has contributed to The Guinness Companion to Popular Music, All Music Guide, and several other encyclopedias. He has also served as a consultant to the Rock and Roll Hall of Fame, NARAS, National Geographic Online, and Music Club Records.