Rollins radiates good humor and passion on this CD of three originals and three standards. “Sweet Leilani” is an unlikely jazz vehicle, but so were “Wagon Wheels,” “I’m an Old Cowhand” and “There’s No Business Like Show Business” before Rollins transmuted them. The ersatz Hawaiian classic, made of eight bars played twice, is an almost mindlessly simple song. Embedded in it, however, are a couple of diminished chord possibilities that Rollins and pianist Stephen Scott exploit to make the piece a virtual blues. The third and fourth choruses of Rollins’ first solo and his closing choruses are thematic improvisation as inventive as any he has developed on record in recent years. Perhaps Scott’s quote from “Seven Come Eleven” is commentary on their gamble with this trivial material. The gamble is profitable. “Moon of Manakoora,” another bit of movie flotsam, has construction similar to “Sweet Leilani,” but Rollins does not bring to it the same intensity or irony. Bill Holman, on his Bill Holman Band (JVC), still has the last word in the wry transformation of this speck of Alfred Newman exotica.
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