Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Short Takes: Nordic Connect & Lisa Lindsley

Reviews of two recent jazz albums

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Ingrid Jensen at home

Nordic Connect: Spirals (artistShare)

Canada’s mega-talented Jensen sisters, Christine on sax and Ingrid on trumpet, co-lead this quintet, whose members all share Scandinavian ancestry. Their band mates are Maggi Olin on piano and Fender Rhodes, Mattias Welin on acoustic bass and Jon Wikan (Ingrid’s husband) on drums and percussion. The Viking connection seems to have reinforced their musical bond, as evidenced by the performances on this, the group’s second recording.

Spirals is an intriguing CD, built around the band’s cohesion and the quality of the original material that comprise its nine tracks. The tunes I savor most included Olin’s “Song for Inga” and Ingrid Jensen’s “Earth Sighs” (both containing artful dollops of electronic effects) and the quintet version of Christine’s “Yew,” which premiered on her Juno Award-nominated orchestral album treelines (JustinTime). It’s a beauty in both formats. The small group treatment does nothing to diminish its pensive poignancy.

Lisa Lindsley: Everytime We Say Goodbye (self-produced, BlondSongstress Productions)

This is a most pleasant debut CD from a Bay Area singer who we n eed to keep an eye on – and ears wide open for years to come. Lisa Lindsley has considerable experience under her belt as an actor and voiceover artist. She’s a relative neophyte as a singer, but her lifelong appreciation for jazz artistry is a considerable asset. She was no casual listener. Lindsley’s charming and expressive voice catches your ear because of her natural sense of phrasing, timing and expression.

On this trio project, she was fortunate to call on pianist George Mesterhazy, who is a premier accompanist for singers (Shirley Horn, Paula West, Rebecca Parris, Karrin Allyson, among others), and rock-solid bassist Fred Randolph. She makes each standard her own. The title track, “Alice in Wonderland” and their take on Jobim’s “The Girl from Ipanema” are prime examples. Mesterhazy reveals another facet of his imaginative talent with every CD he makes and every singer with whom he works. On this one, he uses melodica to add a poignant Toots Thielemans-like tinge to Lindsley’s take on Blossom Dearie’s “Inside a Silent Tear.”

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published