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Robert Walter’s 20th Congress: Spacesuit (Royal Potato Family)

Review of keyboardist's latest album with his own quartet

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Cover of the Robert Walter's 20th Congress album Spacesuit
Cover of the Robert Walter’s 20th Congress album Spacesuit

Keyboardist Robert Walter is like the ultimate sixth man in basketball—a super-skilled player who comes off the bench to provide support and symmetry to a starting lineup. As the leader of his own 20th Congress quartet … well, he’s a great sixth man, and Spacesuit is the latest evidence thereof. A concept album of sorts inspired by the NASA program, it’s more an out-of-focus gaze skyward than a telescopic one.

“Nerva and Dumbo,” named for experimental rockets, gets Spacesuit off the launch pad decently, with Walter’s Fender Rhodes electric piano echoing Herbie Hancock’s vintage ’70s funk work within bassist Victor Little and drummer Simon Lott’s shell-game rhythms and guitarist Chris Alford’s chords and solos. Yet Walter can’t resist more modern embellishments, which ultimately keep his mission grounded. Synthesizers dot the pop-ish “Posthuman” and frenetic “13th Key,” and they take away from the keyboardist’s otherwise compelling contributions on various pianos, organs, and clavinet.

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