Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Rez Abbasi Trio: Continuous Beat

Flush with the attention he got for his role in furthering the “Indo-Pak” agenda in jazz alongside Vijay Iyer and Rudresh Mahanthappa, the Pakistani-born, L.A.-raised Rez Abbasi expressed the hope he and his cohorts wouldn’t be pigeonholed as ethnic outliers. With Continuous Beat, a relentlessly probing trio effort featuring bassist John Hébert and drummer Satoshi Takeishi that closes with an uncommonly thoughtful acoustic reading of “The Star Spangled Banner,” Abbasi takes another bold step in resisting any stereotyping.

Coming on the heels of his Invocation quintet’s Suno Suno, which fused Pakistani Qawwali music and blues, and his Acoustic Quartet’s Natural Selection, which bridged Nusrat Fateh Ali Khan and Joe Henderson, Continuous Beat furthers what is turning out to be one of jazz’s most intriguing journeys. Abbasi’s first trio effort, it affords him the sonic real estate to blanket the music with electronic effects and variations in sonority and tone. Heated slabs of sound and raga-esque effects inform Keith Jarrett’s “The Cure,” while chiming chords light up Gary Peacock’s ambitious, 12-tone “Major Major,” another vehicle for what became Jarrett’s Standards Trio.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published