Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Rahsaan Barber: Mosaic (Jazz Music City)

A review of the saxophonist's 95-minute masterpiece

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Rahsaan Barber: Mosaic
The cover of Mosaic by Rahsaan Barber.

Pragmatic thinking is naturally at loggerheads with ambition when it comes to releasing a double album. Given our singles-driven streaming culture, the decline of physical sales, a pandemic-era dearth of touring (and its attendant marketing value), and generally stunted attention spans, it’s certainly not the sensible move. But that’s not to say it’s the wrong course of action. Sometimes there’s actually something very right about bucking the trends, following your gut and going big, as saxophonist Rahsaan Barber ably demonstrates with Mosaic.

Teaming up with the close-knit rhythm section of pianist Matt Endahl, bassist Jack Aylor and drummer Derrek Phillips, and sharing the front line with a pair of alternating guests—twin brother Roland on trombone (and conch shell) and Nathan Warner on trumpet—Barber delivers a slate of originals that, when taken together, form the most complete picture of his artistry to date. Switching between alto, tenor, and baritone horns, he handles himself with aplomb while moving all over the map. Opener “Quarantine Queens” deals in straight-time soul within a plaintive frame. “The Pink Piranha” seduces with sly sentiments. An endearing “Koala” offers tranquil beauty. And the intense “Panic Point” plays on extreme passion and fear. 

Barber shows tremendous range during these travels—blowing robustly in “The Mountains and the Clouds,” dropping into church for a “Sunrise Service,” driving hard down the center lane on “Swang That Thang,” standing tall to deliver a tearful and moving lament in “Breonna Taylor (How Many More?)”—and his tremendous heart and solid instincts serve as common denominators that cradle all of this music. At 95 minutes, the program may run long, but Rahsaan Barber and his band never wear out their welcome.

Learn more Mosaic on Amazon.


Previous Album Review: Rahsaan Barber: Everyday Magic

Dan Bilawsky

Dan Bilawsky has been involved in jazz journalism for 15 years. His work has appeared in JazzTimes, JAZZed, and All About Jazz, among other outlets. In addition, he’s penned liner notes for artists on Red, Capri, HighNote/Savant, Ropeadope, and other respected imprints. A band director with 20 years of teaching experience, he holds degrees in music from Indiana University, the Aaron Copland School of Music at Queens College, and Five Towns College.