Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Preservation Hall Jazz Band: A Tuba to Cuba (Sub Pop)

A review of the soundtrack from the film about the New Orleans-based band's trip to Cuba

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Preservation Hall Jazz Band, A Tuba to Cuba
The cover of A Tuba to Cuba by the Preservation Hall Jazz Band

New Orleans is one of the great cities of the American South, but many also consider it to be the northernmost point of the Caribbean. That influence extends into every aspect of the Big Easy’s culture, from religion to cuisine to music. Maybe that’s why in the film A Tuba to Cuba, a documentary of the Preservation Hall Jazz Band’s 2015 trip to the island, leader Ben Jaffe said the group came back from Cuba having “discovered a piece of us that’s been missing.” The trad jazz icons’ new album, A Tuba to Cuba, soundtracks that film but also stands as testimony to that beautiful coalescence.

Over the album’s 12 tracks, the Preservation Hall band slip into tumba drum lines and salsa rhythms like they were putting on their own shoes; each member plays as if he’s had decades of experience playing Cuban music. “I Am” (which bridges the gap between ring-shout and street party) and “Kreyol” are raucously swinging affairs in which the horns slink over the rumbling grooves with the enchanting flair of an expert dancer. On “El Manicero,” the band weds the percussiveness of a riverboat band and the boisterousness of Satchmo to one of Cuba’s iconic jazz tunes; the lines between the New Orleans and Havana traditions are at their blurriest here.

Large parts of the album feel like you’re hearing a second line wind through the heart of Santiago. “Keep Your Head Up,” which features the effervescent Eme Alfonso on vocals, is the standout performance in this regard; try not to smile and shimmy while listening. But the parade also runs into more tender vignettes, as in Jaffe’s “Solitude,” and passes by scenes of Yoruba choirs and string ensembles showcasing their musical wisdom. It’s a full portrait of the rhythms, the melodies, the values, and the energy that bind us all.

Preview or download A Tuba to Cuba on Amazon!


Are you a musician or jazz enthusiast? Sign up for our weekly newsletter, full of reviews, profiles and more!

Jackson Sinnenberg

Jackson Sinnenberg is a broadcast journalist and writer based in Washington, D.C. He serves as an editor for Capitalbop, a non-profit that focuses on presenting live jazz and covering the D.C. jazz scene through grassroots journalism. He’s covered the city’s local jazz scene since 2015 but has covered national and international jazz, rock and pop artists for a variety of publications. He graduated from Georgetown in 2015 with a degree in American Musical Culture and will gladly argue why Kendrick Lamar is a jazz musician. Follow him @sinnenbergmusic.