Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Patrice Jégou: If It Ain’t Love (Prairie Star)

A review of the Canadian-born vocalist's second album

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Patrice Jégou, If It Ain't Love
The cover of If It Ain’t Love by Patrice Jégou.

Patrice Jégou doesn’t yodel or throat-sing on her second album, If It Ain’t Love, but the Canadian-born vocalist leaves little doubt that she could produce a polished track employing either technique if she set her mind to it. A classically trained mezzo-soprano who found her way to jazz relatively late, Jégou possesses a sumptuous instrument and impressive stylistic breadth. The question raised but not fully answered by this consistently entertaining project relates to her emotional depth.

The album’s constantly shifting array of settings and arrangers follows in the footsteps of her similarly expansive 2014 debut Speak Low. Designed to showcase her versatility, If It Ain’t Love presents Jégou more as a vocal chameleon than the project’s animating creative presence. That said, she is a commanding pop-jazz singer who shines in just about every context. Galloping out of the gate, the album opens with a crisp a cappella version of “Lover Come Back to Me,” a multitracked confection with Take 6’s Alvin Chea and Mark Kibble (who arranged the piece). Revisiting the piece halfway through the album with Kibble’s full-band arrangement seems unnecessary, particularly given her usual-suspects repertoire.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.

Andrew Gilbert

Andrew Gilbert is a Berkeley-based freelancer who has written about arts and culture since 1989 for numerous publications, including the San Francisco Chronicle, San Jose Mercury News, Boston Globe, Los Angeles Times, East Bay Express, Berkeleyside, and KQED’s California Report. Born and raised in Los Angeles, he experienced a series of mind-blowing epiphanies listening to jazz masters at Kuumbwa Jazz Center in the late 1980s, performances he remembers more vividly than the gigs he saw last month.