Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Omer Avital Qantar: New York Paradox (Zamzama/jazz&people)

A review of the bassist's album with his new group

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Omer Avital Qantar: New York Paradox
The cover of New York Paradox by Omer Avital Qantar

Omer Avital has been called the “Israeli Mingus,” and it fits. He is a prodigious bassist, a creative composer and a proactive bandleader who has led or co-led 16 albums. His strong body of work is characterized by an organic interaction between his Middle Eastern roots and his current environment of hardcore New York street bop.

Avital has some new pursuits. He has opened Wilson Live, an intimate performance space and recording studio in Bushwick, Brooklyn. He has a new label, Zamzama, and a new band, Qantar, with four hot young Israeli expatriates. All three ventures come together for New York Paradox. It was recorded at Brooklyn’s Wilson Live, with “no separation, no edits, no fixes.” Qantar has Asaf Yuria and Alexander Levin on saxophones, Eden Ladin on piano and Ofri Nehemya on drums. They execute Avital’s catchy, careening compositions with a special blend of wild abandon and lock-step precision. Avital swears they “don’t use charts but rather learn the music by heart and create the arrangements on the spot.” It is exhilarating when boisterous melodies recur, horn backgrounds blast, riffs kick and complex counterpoint converges, all “on the spot.”

The most ambitious piece is the long-form “Just Like the River Flows,” a nine-minute suite. Even the title track, a vivid musical metaphor for the chaos of life in New York, feels carefully organized. Yet the whirling Mediterranean momentums are ecstatic and passionate solos fly free. Ladin, a pianist to watch, combines thrust with impressionism. Avital likes bands with multiple tenor saxophone front lines. (One of his early sextets had four.) Yuria and Levin are a powerhouse tandem, whether collaborating for rich blends within the ensemble (“Bushwick After Dark”) or emerging individually and burning (“Today’s Blues”).

Qantar is a band with personality. Its personality is to sound friendly while kicking your ass.


Preview, buy or download New York Paradox on Amazon!

Thomas Conrad

Thomas Conrad has a BA from the University of Utah and an MA from the University of Iowa (where he attended the Writers Workshop). He taught English at Central State University in Ohio, then left the academic world for the private sector. His affiliation with publications such as JazzTimes, Stereophile, The New York City Jazz Record and DownBeat has enabled him to sustain active involvement in two of his passions: music and writing.