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Nicolas Bearde: I Remember You (Right Groove)/ Orice Jenkins: Centennial Cole (Truth Revolution)

A review of two Nat King Cole tribute albums

Nicolas Bearde, I Remember You: The Music of Nat King Cole
The cover of I Remember You: The Music of Nat King Cole by Nicolas Bearde

Nat King Cole didn’t need a milestone birthday to elicit a flood of tribute albums. A bona fide pop star and racial-barrier-breaking icon at the time of his death from lung cancer in 1965 at the age of 45, he’s been saluted and celebrated on dozens, probably hundreds of discs, including the 1991 megahit Unforgettable…with Love by his daughter Natalie Cole and 1992’s Just the Way I Am by the inimitable Freddy Cole, Nat’s younger brother (the Coles cornered the market on cool). The undimmed spotlight on Nathaniel Adams Coles has blazed all the brighter in the year of his 100th birthday, and two estimable new albums explore different facets of his multifarious musical legacy. 

Building on 2016’s Invitation, a hard-swinging program of standards produced by pianist Nat Adderley Jr., San Francisco singer Nicolas Bearde continues his evolution from suave R&B crooner to poised jazz vocalist with his encompassing Cole celebration. Covering a variety of musical moods with easygoing authority, from the wistful “I Remember You” and the swooning “Tenderly” to the snappy “Straighten Up and Fly Right” and the elegiac “I Wish You Love,” Bearde wades into the songs like he’s stepping into a warm bath. For most of the album, his accompanists are a trio led by ace Los Angeles pianist Josh Nelson, who also produced the tracks and wrote the arrangements; two songs feature pianist Peter Horvath, who arranged and produced those pieces. Tenor saxophonist Eric Alexander, a boon to any musical setting, contributes on three songs, adding a particularly poignant edge to the pathos of “Funny (Not Much).”   

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Originally Published

Andrew Gilbert

Andrew Gilbert is a Berkeley-based freelancer who has written about arts and culture since 1989 for numerous publications, including the San Francisco Chronicle, San Jose Mercury News, Boston Globe, Los Angeles Times, East Bay Express, Berkeleyside, and KQED’s California Report. Born and raised in Los Angeles, he experienced a series of mind-blowing epiphanies listening to jazz masters at Kuumbwa Jazz Center in the late 1980s, performances he remembers more vividly than the gigs he saw last month.