Per its title, Relaxin’ with Nick captures Nicholas Payton fully laidback, on music culled from a weekend of performances at NYC’s Smoke earlier this year. Payton unfurls oft-brilliant trumpet and piano/keyboard lines and textures, sometimes simultaneously, over the hand-in-glove grooves of bassist Peter Washington and drummer Kenny Washington, the regular rhythm section for Bill Charlap, among many other credits. Relaxed, yes, but fully confident might be a more apt description: These 15 tracks, mostly originals mixed with three chestnuts, make for a hefty collection of serious—but not self-serious—music by an artist who seems to constantly evolve.
“Stablemates” opens with an extended prelude of distorted electronic skronk, hinting at the tune, before Payton picks up his trumpet to sound Benny Golson’s soul-jazz melody, then switches to piano, effects-laden Fender Rhodes, and finally his primary instrument for nicely exploratory solos, with the tune also spiked by a provocative drum solo. “I Hear a Rhapsody” opens with mellow Rhodes declarations before shifting into chunky, swaggering swing, opening up for one of Payton’s most rambunctious trumpet improvisations, packed with multiple flurries of notes and artfully connected shorter phrases. “Tea for Two” begins as a delicacy before moving to hard-grooving overdrive.