Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Mike Clark: Carnival of Soul

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

The drumming great’s debut for Owl Studios is a paean to the B3 organ trio, a format he played in for half a dozen years during his early 20s. But rather than being just a greasy throwdown-which he does with requisite grit on “T’s Boogaloo,” alongside organist Delbert Bump and guitarist Steve Homan-this is a versatile outing that showcases the organ in all of its manifestations.

A rendition of “Monk’s Dream” (with organist Jerry Z and tenor saxophonist Rob Dixon) finds the drummer traversing the kit in loosely syncopated fashion, providing the array of unexpected accents required of Monk’s music. “Water on the Moon” (with Dixon on tenor and Z on organ) is a modernist take on the B3 trio reminiscent of Larry Young’s work with Joe Henderson and Elvin Jones. Clark creates an easygoing vibe with brushes on an alluring rendition of “Angel Eyes” that underscores Bump’s velvety organ tones and Homan’s Grant Green-like guitar work, then turns around with the same trio and burns a blue streak on Bump’s boppish workout “Bookin.” (Clark’s astonishing solo on the track should straight-up frighten drum students.)

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published