CELEBRATING
50 YEARS

Mary Halvorson’s Code Girl: Artlessly Falling (Firehouse 12)

A review of the second album from the guitarist-led group

Mary Halvorson’s Code Girl: Artlessly Falling
The cover of Artlessly Falling by Mary Halvorson’s Code Girl

The songs on the second album by Mary Halvorson’s Code Girl feature improvisation, but as compositions they feel a great deal closer to art songs or new music than anything within arm’s length of jazz. That’s not a bad thing, especially since the first voice heard on Artlessly Falling belongs to art rock’s grand elder statesman Robert Wyatt. With his high, wispy voice continuing to captivate at age 75, he appears on three of the eight compositions, whose lyrics (all penned by Halvorson) were written in eight different poetic forms. Code Girl vocalist Amirtha Kidambi joins him on “Walls and Roses” and handles the other five herself, in spellbinding harmony on a few with tenor saxophonist María Grand. When Grand isn’t singing, she makes an equally eerie blend with trumpeter Adam O’Farrill, who fills the spot occupied by Ambrose Akinmusire on the group’s previous album.

The poetic forms and their vocal execution—which sometimes stretches syllables to operatic lengths—make the accompanying lyric book a mandatory, and engrossing, part of the listening experience. While some songs appear to contain some abstract political commentary, “Last-Minute Smears” doesn’t hold back, with lyrics based on fragments of Brett Kavanaugh’s Congressional testimony. Halvorson intersperses her signature bent-note sound with flashes of distorted power chords and clean picking. All comes to a head in the closing title track, which begins with just vocals and guitar, then builds until the sextet creates a free-falling squall that still manages to maintain a harmonic structure beneath Kidambi’s vocals. Rounded out by Halvorson’s Thumbscrew bandmates, bassist Michael Formanek and drummer Tomas Fujiwara, Code Girl offers a challenging listen, but one that rewards close examination.

Preview, buy or download Artlessly Falling on Amazon!

Mary Halvorson: Reinventing the Identity of the Jazz Guitarist

Mike Shanley

Mike Shanley has been a lifelong resident of Pittsburgh and gladly welcomes any visitors to the city, most likely with a cup of coffee in one hand. Over the years, he has written for several alternative weekly papers and played bass guitar in several indie rock bands. He currently writes for the bi-weekly paper Pittsburgh Current and maintains a blog at shanleyonmusic.blogspot.com.