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Mario Pavone’s Dialect Trio: Philosophy (Clean Feed)

A review of the third album from the bassist-led group

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Mario Pavone's Dialect Trio, Philosophy
The cover of Philosophy by Mario Pavone’s Dialect Trio

Mario Pavone places the airiest ballad next to the feistiest rocker on his new Dialect Trio album, and the shifting temperament between “Circles” and “The Beginning” is a telling synopsis of the group’s intentions, as well as a revealing snapshot of the disc’s rhythmic landscape. The band uses a jeweler’s eye to conflate abstraction and swing, beveling the key elements that balance the veteran bassist’s cagey pieces. Pianist Matt Mitchell and drummer Tyshawn Sorey are deeply aligned, as they were on Philosophy’s predecessors, Chrome and Blue Dialect; the propulsion they generate in cahoots with the leader’s aggressive string work gives everything a kick. 

Melodies come and go in this music. Pavone’s pithy themes—like the scrawled bop of “8-18-18” or the cool jaunt of “Two Thirds Radial”—present themselves and then take a powder, leaving room for the flexibility central to the trio’s mission statement. Feathery maneuvers by Sorey morph to finessed aggression. Mitchell’s parade of skittish inversions often yields focused pronouncements. The strategies they share on “Everything There Is” propel a tightrope walk, each new improv choice (tom-tom rumble, splashy upper-register trill) paving the way for the next. It would be an apt soundtrack to the daredevil moments of Man on Wire, James Marsh’s portrait of World Trade Center acrobat Philippe Petit.  

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Jim Macnie

Jim Macnie is a music writer who contributes to DownBeat and blogs at Lament For a Straight Line. He’s been working in digital media since since 2000, initially as’s Managing Editor and, currently, as a Senior Producer and Editor at Vevo. He enjoys Little Jimmie Dickens, Big Joe Turner and Medium Medium.