Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Mandy Harvey: Smile

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

“The sweetest sounds I’ll ever hear are still inside my head.” When Richard Rodgers wrote those words for Diahann Carroll in 1962, they were intended to convey romantic inexperience, a yearning for grand passion. But Mandy Harvey can take Rodgers literally. The 22-year-old Coloradan is deaf. Three years ago, the hearing loss she’s endured since childhood became near-total. Since then, with tremendous support from her family, voice teacher Cynthia Vaughn and jazz pianist and educator Mark Sloniker, not to mention remarkable personal fortitude, Harvey has become a regular performer (with Sloniker) at Jay’s Bistro in Fort Collins and has released her debut album.

But Harvey doesn’t want you to think of her as a deaf woman who can sing. She rightly considers herself a jazz singer who happens to have hearing impairment. Truth is, she is a terrific jazz singer. Period. No tricks, no technological wizardry, just exemplary readings of classic Tin Pan Alley tunes, enhanced by perfect pitch and a soft-swinging, folk-tinged style.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published