Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Lonnie McFadden: Live at Green Lady Lounge (Jazz Daddy)

Review of an in-concert career-retrospective album by the trumpeter/vocalist

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Cover of Lonnie McFadden album Live at Green Lady Lounge
Cover of Lonnie McFadden album Live at Green Lady Lounge

“This whole night is my whole career,” says Kansas City-based vocalist and trumpeter Lonnie McFadden as an introduction to his Live at Green Lady Lounge. It’s a true statement, as McFadden prefaces most tracks with stories about how they came to be, including some of his earliest compositions. The results, with pianist Andrew Ouellette, bassist DeAndre Manning, and drummer Tyree Johnson, unfortunately prove a hit-and-miss hodgepodge that likely functioned better in concert than on this comparatively incohesive live document.

Things get off to a promising instrumental start with a cover of Bennie Moten’s “Moten Swing,” a bluesy, strutting piece with fine solos by McFadden, Ouellette, and Manning; McFadden and Johnson’s hip-hop-infused “In the Club” (with Manning making a rare turn to electric bass); and Ouellette’s complex “Voyager,” featuring some of McFadden’s best work amid the rhythmic and harmonic web spun by his bandmates.

But when McFadden steps up to the microphone to introduce and sing “Our First Date” (from his studio CD I Believe in Music), dedicated to his wife Myra, his inner jazz crooner comes out. The trend continues with a sub-par “What a Wonderful World,” plus McFadden originals ranging from the breakneck title track of I Believe in Music to the reach-exceeding-grasp sway of “Swing Like Count Basie.”

The encore is “Tap ’N the Blues,” on which McFadden decides to add his tap-dancing expertise—which, however impressive, gets lost in translation without video evidence. His hometown crowd eats it up, though, perhaps proving that Live at Green Lady Lounge is more a recorded reward for the Kansas City faithful than an attempt to convert those outside the Midwest. If he sticks with this band, and more to instrumental material, on his next CD, McFadden could branch out further.


Preview, buy or download Live at Green Lady Lounge on Amazon!

Originally Published