Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Linda Oh: Sun Pictures

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

The title of bassist-composer Linda Oh’s third CD refers to the oldest remaining outdoor movie theater, located in her former home country of Australia. But Sun Pictures is also an apt description of her seven original songs, which are gently upbeat and airy, often composed as sonic snapshots inspired by artwork or settings from her travels. Thus “Footfall” depicts walking through autumnal snow in Eastern Europe, “Blue Over Gold” plays off a Rothko painting and “Terminal 3” was germinated by a late-night layover at JFK International.

What the scenes have in common is a clean matte, and the straight-to-two-track music from a consistent quartet with no guest stars is likewise well delineated and unhurried. Fellow Aussie James Muller captures this delicate spirit, one that is simultaneously wistful and perceptive, with his guitar phrases, frequently in tandem with saxophonist Ben Wendel. At a time when Oh is in vogue due to her high-profile membership in bands led by Dave Douglas and/or Joe Lovano, her decision to release this understated charmer is a sign of confidence and commitment to her own muse.

Originally Published