Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Laurie Antonioli: American Dreams

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

It’s ironic, really, that one of America’s foremost jazz vocal instructors is comparatively little known as a jazz vocalist. It’s equally ironic that so exceptional a jazz teacher garnered her training less from formal classes than from studying three masters: Nancy King, Mark Murphy and Pony Poindexter. Her work as an educator began in 2002 at KUG University in Graz, Austria, and it was there she began collaborating with pianist and composer Fritz Pauer.

Five of their joint efforts form the backbone of this cunning reverse travelogue, which examines the tremendous pull of home and its familiar comforts one feels from distant shores. American Dreams opens with two ostensibly Austria-centric collaborations: the sizzling, propulsive “Samba Nada Brahma,” shaped of the homesickness for the Marin countryside Antonioli felt upon discovering the Vienna woods, and the dreamily melancholy “Vienna Blues,” which speaks to the hopeless desire of finding an ideal locale to rekindle a fading romance. Their “How Long” paints a stirringly plaintive portrait of a woman’s wait for her lover’s return, while “Sweet Sound of Spring,” with its folk underpinnings, examines the intense-if too often overlooked-beauty of the familiar.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published