Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Kirk Knuffke & Jesse Stacken: Orange Was the Color

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

When assembling a tribute to Charles Mingus with just cornet and piano, Kirk Knuffke and Jesse Stacken, respectively, considered their limitations. This session contains no prayer meetings, hits in the soul, fight songs or any Mingus piece that depends on the thrust of the ensemble. Instead the duo considered pieces that showed off Mingus’ writing prowess as opposed to his strong personality and bandleading skills. In doing so, they shined up several works that often get overlooked.

Three come from the lesser-known albums Mingus recorded for Bethlehem Records, a fruitful time between Tijuana Moods (also used here) and the landmark Mingus Ah Um. “East Coasting” and “Celia,” with its regular tempo shifts, adapt well to this setting. Stacken plays some staccato comps, which keeps the bop in “Slippers” and builds out the bluesy vamp of “Moanin'” (not the Bobby Timmons classic). Knuffke’s use of cornet rather than trumpet works well throughout, giving a slightly darker tone to the music. “So Long Eric,” originally something of an Ellingtonian blues line, benefits from the horn’s tone and sounds especially strong in the duo’s hands.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published