Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Jonathan Butler: Living My Dream

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

If the album title isn’t enough of a giveaway, be assured that Jonathan Butler is one optimistic, blissful fellow right now. “Living My Dream,” the title track of the South African-born guitarist/vocalist’s 22nd studio album, is a naked declaration of contentment and good-naturedness that’s increasingly rare in these troubled times. Emerging from a Stevie Wonder-esque faux-scat vocal intro, Butler, in his even-tempered but enthusiastic manner, sings, “I’ve been high, I’ve been low, everywhere in between,” then goes on to elucidate why he’s on top of the world. Lightly funky in a ’70s CTI kind of way, it’s bright and soothing and hard not to like, even if it lacks even the slightest bit of edge.

But that’s OK. No one looks to Jonathan Butler to storm the gates, and what Living My Dream lacks in fire it more than makes up for with well-crafted, immaculately performed and arranged crowd-pleasers. From its opening track, an update of Butler’s early-career “African Breeze”-given a foot-flapping, chirpy arrangement anchored by Butler’s fleet, nylon-string soloing-to the reflective, dreamy closer “A Prayer,” this is feel-good music and nothing but feel-good music.

A couple of guests provide highlights: The late George Duke, featured on piano on the summer-night-sultry “Be Still,” written by the pair, meshes sympathetically with Butler’s guitar as the quasi-bossa nova unfolds, and Marcus Miller, who appears both on that track and the next, “Let There Be Light,” brings a depth that’s not always there on some of the smoother tracks. J

Originally Published