Certain albums just radiate a lot more groove than others, and with its hoodoo rhythms, souped-up dub textures and “When the Levee Breaks”-style drum surges, The Process is, at times, that rare brand of jazz that can double as club music.
Red Hot Chili Peppers drummer Chad Smith provides a lot of the direction here, his thudding tom-toms popping with electric urgency while retaining a deep-bottomed texture, like something crackling through the lower regions of a swamp. “Drop Away” reveals the plan for the build, as it were: Overlay some guest vocals-courtesy of Tunde Adebimpe, in this case-atop that percussive foundation and have Jon Batiste’s smoky organ tones let in some electric-Miles funk while Bill Laswell’s bass churns in four- and five-note patterns beneath it all.
Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.