Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

John Escreet: The Unknown

In February of 2016, pianist John Escreet, along with regular triomates John Hébert, on bass, and Tyshawn Sorey, drums and vibraphone, embarked on a brief four-date European tour. Escreet’s trio joined avant-garde saxophone stalwart Evan Parker to treat their audiences to a series of extended collective improvisations. The Unknown, Escreet’s first live recording as leader, captures two of these long-form explorations.

Recorded at Amsterdam’s Bimhuis on Feb. 12, “The Unknown (Part One)” commences its 45 minutes with dense chords from Escreet that build to a squall under the thunder of Sorey’s cresting cymbals. A Parker-led cacophony descends into eerie arco exclamations from Hébert, backed by chiming Sorey cymbals that evoke a Zen meditation mood. The bassist locks into a keening unison exchange with Parker, Sorey amplifying the mystery with echoing single-note vibe hits. Escreet’s icy solo lines give way to brawny Parker phrases, and the pianist urges him on with antic backing harmonies before cascading over Sorey’s resonating vibes into the outro. Throughout the piece, the band locks into a feverishly communicative mindset, anticipating each shift in tempo and intensity and riding the inventions they inspire for all they’re worth.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published