Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Joe Lovano Quartet: Classic! Live at Newport

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Contemporary classic: The Joe Lovano Quartet at the 2005 Newport festival

So far this year, the great Hank Jones has been an important part of two outstanding archival releases: All My Yesterdays, which captured two 1966 Village Vanguard sets by the big band that Jones’ brother Thad co-led with Mel Lewis, and this quartet date from the 2005 Newport Jazz Festival. The nearly four decades that passed between the recording of the former and latter albums seem to have had nary an effect on the pianist’s playing. Lovano may be the nominal leader here, but Jones-just about to celebrate his 87th birthday at the time-provides more than his share of wit, dexterity and shockingly youthful spunk. His solo on brother Thad’s “Kids Are Pretty People,” for example, shifts with ease from urbane to bluesy via a perfectly placed quote from Ellington’s “Rockin’ in Rhythm.”

Lovano, for his part, is in high spirits, lurching giddily through “Big Ben” and letting out joyful squeals during the driving coda to “Don’t Ever Leave Me.” At times he’s almost too loquacious-his note-heavy treatment of “I’m All for You” comes close to demolishing that ballad-but given the caliber of the company, who can blame him for getting excited? The group is completed admirably by bassist George Mraz and drummer Lewis Nash, whose fluid, frisky back-to-back solos on “Bird’s Eye View” deserve special notice.

It all comes to a head with a superlative closing run through Oliver Nelson’s sly blues “Six and Four.” Jones gives his solo the full rolling barrelhouse treatment, while Lovano darts around the changes like a prizefighter in the ring. That these two masters got to cut three studio albums together before Jones’ death in 2010 was lucky enough; adding this ultra-sharp performance to the catalog is a welcome bonus.

Purchase this issue from Barnes & Noble or Apple Newsstand. Print and digital subscriptions are also available.

Originally Published