Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Jim Snidero: Main Street

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

A determinedly straightahead alto saxophonist, Jim Snidero staffs his Main Street quartet with determinedly adventurous young musicians-and gets them swinging along with him. It’s no surprise to hear that pianist Fabian Almazan, bassist Linda Oh and drummer Rudy Royston have the meat-and-potatoes bop chops that a Snidero record requires; it is, however, invigorating.

Those musicians sneak in bits and pieces of their own conceptions, too. Snidero’s soulful blues “Post Time Saratoga” features scorchers from Oh and Snidero, and behind them, Royston’s latticework marks him as the best decorative drummer in the business. (He continues to prove it throughout, topping himself with a reason-defying solo on the closing “The Streets of Laredo.”) Almazan matches that artistry with subtle figures and note choices that fatten up his comp lines, then bursts forth with a solo that explodes both the tune’s rhythmic and harmonic framework. He does the same on “Duluth at Noon,” “Walla Walla” and “The Streets of Laredo,” making him the album’s MVP.

Oh has tricks up her sleeve, too. When Royston and Almazan ratchet up to double time in “Duluth,” she steadfastly maintains the original tempo even as it displaces her accents. She also finds new ways to express the pulse with every bar of “Las Vegas Tango,” and offers perhaps the album’s best improvisation with her nuanced light touch on “Autumn in New York.”

Snidero, meanwhile, maintains the consistent gifts that have marked his 30-plus-year career: juicy sax work crafted with soul, flawless tone and a keen sense of narrative (his solo on “The Streets of Laredo” rivals Oh for album best). His compositions are impressive, too, eking surprises out of licks in “Duluth at Noon” and building a durable melody out of a mixed meter and an R&B lick on “Born in Redwood City.” Main Street is a solid addition to his résumé.

Listen to or download this album at iTunes.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published