Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Jeremy Siskind: Songs of Rebirth (Outside In)

A review of the pianist's double album of 22 tracks

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.
Jeremy Siskind: Songs of Rebirth (Outside In)
The cover of Songs of Rebirth by Jeremy Siskind

Dozens of Ph.D. dissertations will be written examining music created during the first two years of COVID-19. I expect Jeremy Siskind’s Songs of Rebirth will be cited often. A double album of 22 tracks, it’s a chamber-jazz meditation that unfolds like a day-by-day chronicle of the emotional and intellectual travails of life under lockdown, capturing the lethargy, despair, ruminations, and sheer weirdness of the pandemic experience. Featuring his long-standing trio with reed player Lucas Pino and vocalist Nancy Harms, Songs of Rebirth can be absorbed comfortably in one sitting, though its spacious settings and thoughtful lyrics seem better calibrated for smaller doses, say five or six tunes at a time.

The music is conversational in the best possible sense, as the trio interacts with unhurried self-confidence. The lyrics unspool as fully formed thoughts while the songs range widely and Harms makes it all sound utterly natural. The first half, “True Believers,” focuses on songs about transformation, like the ravishing “In Every Moment,” a sublime piano/tenor sax duet sandwiching Harms’ brief, luminous meditation. The second disc, “Cynics and Snags,” focuses more on derailed plans and self-sabotage, though with some pieces, like the inner dialogue “The Drinking Song,” it’s hard to tell illumination from desperation. Running through both discs is “I’d Break Quarantine for You,” a hilarious five-part ode to pandemic love. Will it seem quaint and nostalgic in 10 years, or all too topical? Either way, Off-Broadway should covet a couplet like “Leaving home is a no-no but I long for your touch/Surely Governor Cuomo wouldn’t mind it too much.”

The project concludes with two gems. Pino’s buzzing bass clarinet circles Harms warily on “Forgiveness,” a sad reflection on a missed connection. “Another Birthday” laments the inexorable passage of time, a feeling all too familiar after so months lost to the pandemic.

Learn more about Songs of Rebirth at Amazon and Barnes & Noble!

Andrew Gilbert

Andrew Gilbert is a Berkeley-based freelancer who has written about arts and culture since 1989 for numerous publications, including the San Francisco Chronicle, San Jose Mercury News, Boston Globe, Los Angeles Times, East Bay Express, Berkeleyside, and KQED’s California Report. Born and raised in Los Angeles, he experienced a series of mind-blowing epiphanies listening to jazz masters at Kuumbwa Jazz Center in the late 1980s, performances he remembers more vividly than the gigs he saw last month.