Its fanciful title-guitarist Sheryl Bailey strums, bassist Harvie S plucks-may imply whimsy, but the melodic intricacy created by the duo on this all-originals outing (four by him, six by her) is some seriously heady stuff. Bailey and S never drop the ball-something ear-catching is always happening here, even during the quietest, most reflective moments. “Broken Glass,” carried over from Bailey’s 2014 organ trio recording A Meeting of Minds, takes turns both somber and sweet, the guitarist’s crystalline, precise picking complementary to S’s deep-diving at the top of the neck. On “Charlie Haden,” each player mirrors the other’s path intently, their closely mic’d string action and slightly askew harmonics suggestive of the intimacy the song’s namesake brought to his performances.
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