The original Stone on Avenue C in downtown New York City is cemented in the avant-garde annals as a launch pad for spontaneous meetings of the deepest musical minds. One such forward-looking crew: Old Growth Forest, a supergroup spearheaded by ace drummer, improviser, and composer Harris Eisenstadt. Back in 2015, the Brooklyn avant-jazz linchpin and leader of Canada Day and September Trio reconvened his working trio with trombonist Jeb Bishop and bassist Jason Roebke for two sets as part of his weeklong residency at John Zorn’s Alphabet City performance space. At the behest of Bishop, tenor and soprano saxophonist Tony Malaby—an Eisenstadt comrade and fellow scene pillar—was recruited, and a new band was formed. Its debut, Old Growth Forest (Clean Feed), was equal parts heady compositional technique and turbulent improvisation.
Now comes the similarly gripping Old Growth Forest II, unpredictable in its rhythmic twists and turns but seamlessly flowing. The free-floating dynamics are due in part to Eisenstadt, the group’s guiding force both behind the kit and as a writer. A former student of Barry Altschul, he has a similar unfettered command of percussive splatter, hard-swinging grooves, and bold abstractions. But the set’s true strength is in its simpatico vibes; this is a synergetic effort bursting with remarkable harmony and effortless interplay.