It took nearly 20 years for tenor saxophonist George Coleman to bring his working quartet (featuring the late pianist Harold Mabern, in one of his final recording sessions, along with bassist John Webber and drummer Joe Farnsworth) into the studio. That wait time is the only real complaint about The Quartet. It’s as straight-ahead an album as it gets, created by an octogenarian who—despite being an NEA Jazz Master—remains undervalued in his greatness.
Greatness is assuredly the only word applicable to the player behind this samba-fied take of “I Wish You Love.” Coleman trips the light fantastic, plotting his phrases carefully and concisely, always mindful of the beat but slipping ahead and behind as each phrase dictates. For all his light touch, though (here as well as on sweeter pieces, like “You’ve Changed”), he also applies a gruff growl to the edge of his tone. On the intro to “You’ve Changed,” he even tweaks that growl into dissonant, faintly avant-garde whines. It’s a warning that even though he can retract them, Coleman still has claws.