It’s tempting to assume that the subtlety and nuance of pianist Fred Hersch’s Begin Again stem from the arrangements by Vince Mendoza and performances by German accompanists the WDR Big Band. Both are, after all, Grammy winners. But while the orchestrations and conducting of Mendoza and playing by the ensemble are vital, it’s Hersch’s unique use of space, and pace, that most fuel the disc.
If you were to listen without knowing about it beforehand, you’d probably never guess which musician was the bandleader. Such is Hersch’s unique captaincy amid a sea of jazz pianists since starting his solo recording career more than 35 years ago (making the fact that he’s been nominated for 14 Grammys, but never won, more of a curiosity). Begin Again mostly features reworkings from Hersch’s existing catalog, but the opening title track is the fresh exception. The pianist doesn’t solo until after alto saxophonist Johan Horlen, instead punctuating the lush harmonies of the 13 horn players and accenting the shifting meters of bassist John Goldsby and drummer Hans Dekker.