Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Francois Faton Cahen: Great Winds

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

Recorded in New York in 1979, this odd collaboration of French pianist Cahen, French percussionist Michel Seguin and Czech bassist Miroslav Vitous was originally intended to launch a jazz-fusion series within the French Trema label. Given the strictly acoustic nature of this project, along with its reliance on hand percussion and its prevalence of Afro-Cuban and Middle Eastern rhythms (particularly on “Oriental Wind” and “Spirit of the Wind”), it more closely resembles a kind of seminal world-beat fusion than electric jazz-rock fusion.

Cahen, a charter member of the European fusion group Magma, is a dramatic, two-fisted player who makes full use of overdubbing to create mesmerizing latticework patterns on the piano, which is especially effective on “Alize (Trade Wind).” Vitous is also heard overdubbing throughout the project, accompanying himself on deep-toned bass while bowing with soloistic abandon over the top. His unaccompanied “Whirlwind” is a virtuosic display of bowed bass. Seguin holds the session’s groove together with percolating conga grooves.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.