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Ernie Watts Quartet: Home Light (Flying Dolphin)

A review of the latest album from the quartet led by the tenor saxophonist

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Home Light by the Ernie Watts Quartet
The cover of Home Light by the Ernie Watts Quartet

When the story of this era’s jazz masters is told, West Coast tenor man and bandleader Ernie Watts ought to be prominently featured. Watts, perhaps once underappreciated because of the overtly commercial bent of many of his ’70s and ’80s recordings, has evolved into a saxophonist whose sound is simultaneously brawny and beautiful, an instrumentalist who explores every part of his horn and knows how to write and/or pick tunes perfectly suited to his approach. His Coltrane-inspired playing is sometimes tender, sometimes fierce: Check out his take-no-prisoners rampage near the end of quick-twisting bop romp “Frequie Flyiers,” during which he’s joined only by drummer Heinrich Koebberling.

That tune, midway through Home Light, another high-caliber release from the leader’s long-running European quartet, is immediately followed by a lush ballad, “Horizon,” co-written by Watts and the group’s pianist, Christof Saenger. Watts’ sound here is warm, lilting, and buoyant, and Saenger gets well-utilized solo space. Koebberling, too, contributes a track: His laidback “Café Central 2am” allies stop-time figures with a flowing tenor melody.

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