Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Ernie Watts Quartet: A Simple Truth

Ernie Watts is one of the strongest tenor saxophone sidemen in jazz. He has enhanced ensembles large (Gerald Wilson Orchestra), small (Charlie Haden’s Quartet West) and rude (the Rolling Stones). He has also made some fine albums as a leader, like 1995’s Unity and ’98’s Classic Moods.

Those who have experienced Watts in small doses and who think of him as a shouter will be surprised by A Simple Truth. It contains some burners, like Dizzy Gillespie’s “Bebop,” but it is mostly plaintive and pretty. Watts’ comprehensive eight-minute rendering of Keith Jarrett’s “No Lonely Nights” opens with a commanding cadenza, a revelation of instrumental control and pure sound. Watts’ clarion power, especially in the tenor’s extreme upper register, qualifies him to portray plaintiveness, and creates an unsentimental version of prettiness. Billy Childs’ “Hope in the Face of Despair” is another extended heartfelt testimonial. Watts emphasizes the hope and rejects the despair. His ascents are unmistakably affirmational.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published