Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Dave Stryker: Blue To The Bone

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

How does a young guitarist establish himself when the competition is as thick as fleas on a stray dog? Hang tough and keep playing and pumping out albums, exactly as Dave Stryker is doing. For his latest outing, he stays close to his blues roots, although even at its most progressive, his improvisational approach is an organic combination of blues, swing, bebop, and post-bop elements.

Fronting a hefty ensemble that includes trumpet, trombone, bari, tenor and keys, the guitarist assumes a variety of musical poses. On “Blues Revisited,” an organ-driven groover that undoubtedly profits from his stint with Brother Jack McDuff, Stryker mainly sticks to tasty but searing urban blues licks. “Messenger” shifts gears to a minor key and focuses on straight-ahead swing, giving him a chance to carve long, gracefully fluent lines. In contrast, there’s the title track, with its slow burn, and “Bayou Blues,” whose introduction features acoustic Delta-style slide that is effective but hardly on a par with his usual work on hollowbody electric. It all goes to show that in doing his homework and paying his dues, Stryker can play circles around most of the so-called electric blues specialists currently on the scene.