Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Chuck Wilson: Echo of Spring

Alto saxophonist and clarinetist Chuck Wilson is a melody-based jazzman. You won’t hear a textbook approach to jazz-prescribed scales and patterns-dominating this album. Instead, there are swinging melodic variations and permutations galore. The company is compatible-guitarist Howard Alden, bassist Murray Wall, drummer Tom Melito and the late trombonist Joel Helleny-and the Arbors brand is in good hands.

The disc, recorded in 1998 and just now being released, has an easy listening quality, but in this case, “easy listening” isn’t a pejorative. Wilson’s alto can suggest Johnny Hodges (“Isfahan” and “Goodbye”) and yet he can cross over into hard-bop tunes (Lee Morgan’s “Caliso” and “The Joker”) and even Ornette Coleman (“Turnaround,” played on clarinet, and “The Blessing”) and sound at home. The title tune (originally “Echoes of Spring”), by the late stride pianist Willie “The Lion” Smith, is another example of Wilson’s clarinet playing, this time in a mellifluous arrangement that includes Diva Goodfriend-Koven’s alto flute.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published