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Azar Lawrence: Elementals (HighNote)

Review of album from veteran tenor saxophonist

Cover of Azar Lawrence album Elementals
Cover of Azar Lawrence album Elementals

Azar Lawrence is rightfully regarded as a John Coltrane disciple. After all, he’s a versatile postbop traditionalist who can play with a rugged or rich or incandescent tone on both soprano and tenor saxophones, and he’s piqued by the spiritual nature of African and Indian music. He was also a member of ensembles led by the most prominent Coltrane alumni, McCoy Tyner and Elvin Jones (not to mention his work in the Dark Magus edition of Miles Davis’ band).

But Elementals demonstrates that, at 65, Lawrence has sculpted that Coltrane-oriented goodness into the mosaic of his own mature artistry. On the title track, for example, his brawny, metallic tenor solos harken toward Dexter Gordon more than Trane, but they remain inimitably Azar Lawrence in the way he carouses through phrases like a nimble freight train. His torrid soprano modulations on “Sing to the World” (by his band’s pianist, Benito Gonzalez) delightfully push the contours of the tune’s rock-solid melody. There is also a bossa nova (“La Bossa”), a samba (“Koko”) and a polyrhythmic “African Chant,” all taken at an accelerated pace that is Lawrence’s preferred meter. The wah-wah, in-the-pocket funk of “Solar Winds” is a nod to both his stint with Miles and his R&B roots (most prominently Earth Wind & Fire and Deniece Williams). The brief closer, the Eastern-drenched “Karma Sutra,” with Joe Blocker on tambura, ironically resurrects memories of Trane more than any other song.

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