Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Al Di Meola: All Your Life

JazzTimes may earn a small commission if you buy something using one of the retail links in our articles. JazzTimes does not accept money for any editorial recommendations. Read more about our policy here. Thanks for supporting JazzTimes.

One could be forgiven for groaning, “Aww, not another jazz artist doing Beatles covers,” before listening to Al Di Meola’s All Your Life. But after hearing just the first few tracks, that sort of naysaying should perish. Di Meola’s approach on these 14 Lennon-McCartney covers is homey and unfussy, just an acoustic guitar or two laying out the melodies, some light embellishment and braiding, and a sprinkling of minimal percussion (often just handclaps). Di Meola toys adroitly with the arrangements, but never does a song become unrecognizable: Even when he takes on a tune not intended for guitar, one as complex as “I Am the Walrus,” his mastery is such that he covers all the bases on his own, evoking for the listener the missing drums and strings. His “A Day in the Life,” similar in mood and pace to Jeff Beck’s, is elegant and bold, almost new-agey in its deliberate avoidance of the tension and release found in the original.

Not surprisingly, the songs that work the best are those written for acoustic originally, ballads such as “I Will,” “And I Love Her” and “Blackbird.” There Di Meola takes the most liberties, not so much losing intent as suggesting other paths; his take on the latter of those, as well as “If I Fell,” resembles a John Fahey meditation.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published