Jan Daley: The Way Of A Woman

The One I’ve Been Waiting For

Jan Daley

From the album The Way Of A Woman
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Jan Daley


Adored for her singular magic for making what’s classic contemporary again, Jan Daley is the most multi-talented and beautiful Best Kept Secret in entertainment today. The triple-threat singer/songwriter, actress and playwright connects to audiences worldwide with her authentic, personal presentations couched with just the right amount of razzle dazzle to remind you why she’s at center stage.

As usual, Jan is currently juggling projects in various performance arenas. Her top priority is a new jazz-kissed easy listening EP When Sunny Gets Blue. The title track is her smoky rendition of the classic ballad co-authored by her one-time songwriting teacher Jack Segal (with Marvin Fisher), introduced by Johnny Mathis with the Ray Conniff Singers and later recorded by many including Nancy Wilson, Anita O’Day and Kenny Rankin. Jan’s version, which co-produced and co-arranged with Segal himself before he passed away, is buttery smooth and drenched in sexy saxophone and is receiving glowing nods at smooth jazz radio.

Reflecting on Daley’s artistic excellence, Jack Segal assessed, “Jan is a truly talented musician, singer and lyricist. Her marvelous voice is selectively controlled and her intonation is immaculate.”

Jan Daley’s new CD “The Way of a Woman” is a testimony to the ups and downs of being in and out of love. An experience many woman can relate to says Jan.  This 11-song set contains five tracks from her previous EP, and 6 new tracks that are all embellished with Jan’s flawless delivery of each and every note. On this CD you will find a new additive to her versatility – Sensousness!

Billboard raved, “…in every sense of the word, a knockout!”

Variety proclaimed her, “…one of the most entertaining, best balanced talent blends on the boards.”

Once crowned Miss California, Jan Daley began life as a bashful native of Inglewood, CA, who slowly but willfully blossomed, parlaying her classical piano lessons and dreams of becoming the next Doris Day or Carol Burnett, into an enviable string of gigs and experiences that have become touchstones of her career – from Hollywood to Vegas to Broadway and many stops in between. Jan went from a lanky local medal-winning competitive swimmer and Hollywood singing lessons to sharing stages with the giants of giants of stage, screen, and (not sure if we should date myself or mention Vaudeville) comic circuit including George Burns, Rodney Dangerfield, Don Rickles, and Hope.
She was also flown to Rome, Italy to be the originating vocalist of a song that was nominated for an Oscar (“Till Love Touches Your Life”), and has performed in stellar productions of perennial favorite plays such as “Oklahoma,” “Anything Goes” and “Taming of the Shrew.”

Jan has also shared the screen with Bruce Willis, Peter Fonda, Alec Baldwin and Tom Hanks in Forest Gump as well.

Along the way, Jan honed an intuitive skill for writing – songs and scripts – that has served her as a chronicler and a torchbearer of bygone eras – able to bring them back to vivid life via her words, her voice and her dynamic stage performances.