I can personally testify that Antonio Sánchez, who adopted the sobriquet “Bad Hombre” several years ago for a solo drums-and-electronics album, is a truly nice … Read More “Antonio Sánchez: Not Such a Bad Hombre After All”
7. Lester Young Trio: “Somebody Loves Me” (Lester Young Trio, Mercury, 1951 [originally recorded spring 1946])
It would be hard for anyone to resist the irrepressibility of both the Gershwin melody and the rhythm section—pianist Nat Cole and drummer Buddy Rich. On the one hand, Young doesn’t resist them at all, and the spring in his step is apparent. On the other, though, there’s a new weight to his playing in his first of two solos, a gravitas that would only grow more prominent over the years. (Perhaps in 1946 it merely seemed that way, placed as he was next to musicians 10 years younger than he; there’s certainly no shortage of joie de vivre in Cole’s solo.) But Pres is still Pres; his melody and swing are intact, the blues is still everywhere, and by the time of his second solo he seems to have shaken off whatever mood had struck him on the first one.