Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

Justin Kauflin Remembers Clark Terry

12.14.20 – 2.21.15

Justin Kauflin (l.) and Clark Terry (photo courtesy of Radius-TWC)
Clark Terry in 1981
Clark Terry

Each year, in our March issue, we ask prominent musicians to pay tribute to fellow artists who have passed in the previous year. This piece appeared in the March 2016 edition of JazzTimes.

Clark was a perfect example of someone who lived to share and to be there for others. I was a freshman at William Paterson University when I met him. A buddy of mine named Al Hicks, who directed the documentary Keep on Keepin’ On, already knew Clark. Clark was losing his vision because of diabetes. Al thought, “Let me bring Justin over to the house.” I had been blind since I was 11. I thought, “Sure, I’d love to meet Clark Terry!” So I actually didn’t meet him on purely musical circumstances; it was because of this connection that we had.

Just being around Clark was very comfortable, right from the beginning. He had a gift for immediately making you feel at home. When I sat down to talk with him about losing my sight, he was sitting on the side of his bed and I sat next to him. Right away he was telling jokes and being the person that he was. He had a passion that permeated everything.

He was extremely open, and he was a teacher almost until the end. It really did bring a spark to his life. He said, “When you’re teaching, you’re learning.” He really lived by that. When we were working on phrases, it would go either way. I would play something that he was interested in and we’d work on that, or he would sing something real hip. He had a constant curiosity and desire to continue to grow.

At one point he decided he wanted to form a band with some of the students at William Paterson, so I played in that group with him. Because of that, and because we liked to be around him so much, we would hang around his house after the rehearsals. At least a couple times a week we’d go over and listen to records. It just seemed like a natural thing to do: If Clark Terry was around, we wanted to spend as much time as possible with him.

From there he moved down to Arkansas, and when that happened it was harder for people from New York to visit, but Al and I and other people from the group still made a point of going down to visit and spend a couple weeks with him. That was obviously helpful for us, to learn and to be with him and his wife, Gwen. But it was also really good for him to feel like he was connected, to be around people. In some way, we gave him an opportunity to continue being himself.

I was with him just a little under a month before he passed, in the hospital, almost the whole night. He was up reminiscing about his time with Miles and his earlier years. He would always ask, “Do you know this song?” and that night it was “Sweet Lorraine,” so we sang “Sweet Lorraine” for a few hours. He never stopped!

He was all about community. Spending time with Clark taught me what it is to hang. You spend time just listening to records, and those moments, those hours, are what make a band sound great-you’re happy to be around those people. It’s not just about being on the bandstand together; it’s about cultivating a community. It was just second nature for Clark.

Justin Kauflin is a pianist, composer and Terry’s co-star in the award-winning 2014 documentary Keep on Keepin’ On.

Purchase this issue from Barnes & Noble or Apple Newsstand. Print and digital subscriptions are also available.

Originally Published