Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

Henry Threadgill: Be Ever Out

Stunning recent recordings and two weighty box sets help tell the story of Henry Threadgill, an unstoppable American original

Henry Threadgill
Henry Threadgill at Guelph Jazz Festival 2011

Henry Threadgill can breathe easier now. It’s mid-November, and having just finished a tough three-night series at Roulette in lower Manhattan, he’s settling down to coffee at De Robertis, a pastry shop near his East Village home. The staff knows him well; a female proprietor calls him “sweetheart.” Another server, an older man, welcomes him by putting on This Brings Us To, Volume II, Threadgill’s latest Pi release with Zooid, his working band. Threadgill stops mid-sentence as soon the music starts, makes eye contact with the waiter over his shoulder and shares a laugh. Turning back around, he comments: “They’ve become my fans.” For the next 40 minutes, the sound of Threadgill’s knotty, challenging music fills the café.

And why not? Threadgill, born in 1944, is one of the most intriguing composers of our time, a saxophonist and flutist with a history that stretches back to the early days of the Association for the Advancement of Creative Musicians (AACM) in 1960s Chicago. Along with the current Zooid title, we now have The Complete Novus & Columbia Records of Henry Threadgill & Air, an eight-CD box set from Mosaic, to put Threadgill’s achievements into perspective. Another comprehensive, remastered seven-disc set from Black Saint (now owned by CAM Jazz) fills out yet more of the picture-although Threadgill is miffed, to put it mildly, that he wasn’t consulted on the Black Saint packaging or release.

Start Your Free Trial to Continue Reading

Become a JazzTimes member to explore our complete archive of interviews, profiles, columns, and reviews written by music's best journalists and critics.
Originally Published

David R. Adler

David R. Adler writes about jazz and assorted topics. His work has appeared in JazzTimes, NPR Music, WBGO.org, The Philadelphia InquirerThe Village Voice, DownBeat, Time Out New York, and many other publications. From 2010-2017 he taught jazz history at the Aaron Copland School of Music (Queens College-CUNY). In summer 2017, after 30 years in New York (apart from two in Philadelphia), David relocated with his family to Athens, Georgia. There he continues to write about music and perform solo as a guitarist/vocalist.