LAURIE ANDERSON & CHRISTIAN McBRIDE
More politics, and participatory at that. During a steady Saturday drizzle, Anderson began with a hat-tip to Yoko Ono, who recorded and tweeted a primal scream of frustration and fear the day after the 2016 presidential election. The soaked Newport crowd was encouraged to do the same, complying vibrantly. From there Anderson went on to paraphrase Aristophanes’ “The Birds” (which tells of constructing a barrier between earth and sky) while conjuring some of the day’s most luminous sounds. The unusual lineup was fascinating: McBride’s bass, Rubin Kodheli’s cello, Anderson’s violin. Drones and echoes, pulse and skronk—the improv, enhanced by the leader’s electronics, was layered into abstractions that boasted their own steely lyricism. At one point, the collective buzzing of flash-flood alerts coming from audience cell phones only enhanced the details of a quiet passage. Digital music at an analog fest, and an outlier booking that worked wonderfully.