Become a member and get exclusive access to articles, live sessions and more!
Start Your Free Trial

This is the 1st of your 3 free articles

Become a member for unlimited website access and more.

FREE TRIAL Available!

Learn More

Already a member? Sign in to continue reading

JazzTimes 10: Great Recordings from the Swing Era

Big-band blockbusters that eased the world through depression and war

Big bands were already a staple of jazz by the early 1920s, but it wasn’t until 1935 that they graduated from a staple to a mania. The next 10 years were what is now known as the Swing Era, the popular apex of jazz music in America and a danceable, often joyful antidote to the Great Depression.

Too often, we think of modern jazz as beginning with Parker and Gillespie in 1945, consigning the times before that to a sort of “prehistory.” Aside from historical incorrectness, that misses out on how much fun, and how creatively inspired, much of the music from the Swing Era was. Even some of the most rabidly commercial bands of the day occasionally struck real musical gold, and it’s a mistake to relegate them to some darkened corner labeled “nostalgia.”

The tunes on this list are all from the Swing Era’s big bands; small combos had great (and popular) moments too, but it was the large ensembles that were the icons of the age. They’re also all big hits, so even if you prefer a catch-all compilation to the albums listed here, these tunes won’t be hard to track down. And if some of them don’t set your heart to dancing, chances are better than average that they’ll set your feet to it.

9. Woody Herman and His Orchestra: “Blues in the Night” (The Woody Herman Collection 1937-56; Acrobat, 2017 [originally recorded September 10, 1941])

9. Woody Herman and His Orchestra: “Blues in the Night” (<i>The Woody Herman Collection 1937-56</i>; Acrobat, 2017 [originally recorded September 10, 1941])

Woody Herman, like Duke Ellington, was simultaneously a star bandleader and a dweller on jazz’s cutting edge. He would commission work from Igor Stravinsky, pioneer bebop in the big-band format, and give some of jazz’s most brilliant musicians their starts. Here, though, Herman is in pure swing ballad form, taking the lead vocal himself with a surprising authenticity. It’s not the slang and the accent (though he handles both admirably and without condescension), but the use of blue notes and the rhythmic surety that makes this non-blues “Blues in the Night” seem like the real thing.

Learn more about Woody Herman Collection 1937-56 on Amazon!

Listen to a Spotify playlist featuring all of the songs in this JazzTimes 10:


JazzTimes 10: Essential Erroll Garner

Michael J. West

Michael J. West is a jazz journalist in Washington, D.C. In addition to his work on the national and international jazz scenes, he has been covering D.C.’s local jazz community since 2009. He is also a freelance writer, editor, and proofreader, and as such spends most days either hunkered down at a screen or inside his very big headphones. He lives in Washington with his wife and two children.