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JazzTimes 10: Essential Jazz Flute Albums

So you say the flute isn't a key jazz instrument? It can still blow your mind.

10. Herbie Mann: At the Village Gate (Atlantic, 1961)
Surely you didn’t think you’d escape this list without Herbie Mann? At the Village Gate is the record with which he first turned heads. Bassist Ben Tucker brought in his composition “Comin’ Home, Baby,” and Mann turns it into a flute tour de force with a solo that fills up five of its eight-and-a-half minutes. (The tune became his calling card.) He does the same with a head-nodding Latin take on “Summertime,” then a sidelong “It Ain’t Necessarily So” backed by a simmering rhythm section featuring vibraphonist Hagood Hardy (who hums along with himself), bassist Ahmed Abdul-Malik, drummer Rudy Collins, and percussionists Ray Mantilla and Chief Bey. Even here, however, it’s Mann who’s the star, playing lines both fluid and sprightly. This album set the standard for jazz flute in the 1960s.

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Originally Published

Michael J. West

Michael J. West is a jazz journalist in Washington, D.C. In addition to his work on the national and international jazz scenes, he has been covering D.C.’s local jazz community since 2009. He is also a freelance writer, editor, and proofreader, and as such spends most days either hunkered down at a screen or inside his very big headphones. He lives in Washington with his wife and two children.